
After a corrupt cop (Gary Oldman) eliminates the family residing next door due to a drug transaction gone wrong, Leon finds himself the guardian of young Mathilda (Natalie Portman in her screen debut). Taking Mathilda under his helm, Leon teaches her the art of the "cleaner". However, danger lurks around every corner, and Leon must protect Mathilda from the same cops who killed her family.
Considered by many to be his masterpiece, "Leon" was originally released in the United States under the title "The Professional". However due to the feeling that American audiences might find some material unacceptable, over 24 minutes of the film was edited out. Finally, Columbia/Tri-Star has made an excellent decision in releasing the uncut, international version of this excellent film in the U.S.
While the film's central theme revolves around Leon and his job, the subplot where Mathilda develops an attraction for Leon is reminiscent of the novel/film "Lolita". The chemistry between both characters in a father/daughter relationship can be intense, especially as we notice that Mathilda is in her puberty-stage.
Jean Reno is excellent as always, and Gary Oldman gives a chilling performance as Stansfield, the wicked DEA officer who murdered Mathilda's family in cold blood. However, the real scene-stealer in this film has to be Natalie Portman. This beautiful young girl radiates beauty and professionalism throughout the film. Her porcelain-looking skin, and her big brown eyes are well utilized in this film, making her character more childish, yet mature to a certain extent. Portman proved to audiences in this film that she was no flash in the pan, and in her subsequent films, she continues to be a scene-stealer. She is truly Hollywood's most gifted young actress.
In wrapping up, I recommend this film for everyone. Luc Besson truly is one of the world's greatest action directors, and "Leon" captures his magic. An excellent, pulstaing film from beginning to end!
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He deals the cards as a meditation And those he plays never suspect He doesn't play for the money he wins He doesn't play for the respect He deals the cards to find the answer The sacred geometry of chance The hidden law of probable outcome The numbers lead a dance I know that the spades are the swords of a soldier I know that the clubs are weapons of war I know that diamonds mean money for this art But that's not the shape of my heart He may play the jack of diamonds He may lay the queen of spades He may conceal a king in his hand While the memory of it fades I know that the spades are the swords of a soldier I know that the clubs are weapons of war I know that diamonds mean money for this art But that's not the shape of my heart That's not the shape, the shape of my heart And if I told you that I loved you You'd maybe think there's something wrong I'm not a man of too many faces The mask I wear is one Those who speak know nothing And find out to their cost Like those who curse their luck in too many places And those who fear are lost